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The installation explores themes of change and impermanence


​The work unfolds in six movements, each lasting ten minutes, together forming a single piece one hour long. When it ends, it begins again.
The work is musical memoir of symbols from the 20th century the  represent avant-garde, personal narratives, technology, and advanced engineering .

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Around you, ten cars form a circle.
Each one plays a single part of a larger composition, connected to the others through a network The piece changes with you.

Standing here, you hear one voice more clearly than the rest. 


Move, and another takes its place. Step into a car. The sound changes radically. It surrounds you, closes around your body. You are no longer listening you are inside the sound. . 
There is no correct place to stand. Your position is part of the composition. The work is different for everyone, because everyone moves differently through it.
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Photo: Bo Tornvig
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​Supported By ​
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Mons Niklas Schak works with the concept of hyper-realistic sound experiences
in unique spaces and environments.

From 2023 'Redemption Sound’, is composed and mixed in dolby atmos,
The sound and music featured in the installation are available on Apple Music and Tidal in immersive spatial audio (Dolby Atmos).
The release consists of six compositions that exist in the space between music and sound. 
The recordings feature Pete Morrison on cello, Bjarke Falgren on cello, violin, and viola, Niklas Schak on piano, guitar, Lyra-8, GR-1, and organ, Randi Pontoppidan and Augusta Schak on vocals, and Nicolas Becker on Baschet Cris

Listen in Dolby Atmos  


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     Composed and produced  by Mons Niklas Schak
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Supported By ​

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mons niklas schak 
Ryesgade 106 a , 2 sal -  2100 copenhagen, denmark
mail: mail (at) monsniklasschak.com  tel:  +45 2279 3522
​ cvr  18776995

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