Press
The installation explores themes of change and impermanence
|
The work unfolds in six movements, each lasting ten minutes, together forming a single piece one hour long. When it ends, it begins again.
|
The work is musical memoir of symbols from the 20th century the represent avant-garde, personal narratives, technology, and advanced engineering .
|
|
Around you, ten cars form a circle.
Each one plays a single part of a larger composition, connected to the others through a network The piece changes with you. Standing here, you hear one voice more clearly than the rest. Move, and another takes its place. Step into a car. The sound changes radically. It surrounds you, closes around your body. You are no longer listening you are inside the sound. . |
There is no correct place to stand. Your position is part of the composition. The work is different for everyone, because everyone moves differently through it.
|
Supported By



