From 24.7-17.8 2025
A Site specific augmented sound installation at
Bilkyrkogården, Kyrkö Mosse, Värendsgatan,
Ryd, Sverige.
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Vibrations, cars, nature … A Three-dimensional Sound Art Experience |
Cars Choir - Redemption Sound has undergone several maturation processes and is based on an artistic and technological exploration of how audiovisual installations are developed and experienced simultaneously in both physical and virtual reality. This is achieved by utilizing techniques such as 3D sound in VR and AR on location.
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4 sound perspectives in virtual reality.
Artistic research supported By
Cars Choir 2021.
A sense of dwelling in lifelong reverberation that is slowly fading out served as inspiration for this acusmatic sound installation. For years, the very particular atmosphere at Bilkyrkogården outside Ryd in Sweden has captivated me. Fundings by Statens Kunstfond, Denmark made Cars Choir possible. The installation consists of 10 specially designed vibrational loudspeaker units which serve to convert the cars into loudspeaker cabinets
Recorded in 360 VR, Available with ambisonic sound i Google browser and Oculus Quist.
Recorded in 360 VR, Available with ambisonic sound i Google browser and Oculus Quist.
'Redemption Sound' is my latest project, which concentrates on providing hyper-realistic sound experiences in distinct environments. In the track "Cadillac Eldorado 56" from the ‘Redemption sound listeners are treated to a musical reimagining of the “Cadillac Eldorado 56”.
This installation features 10 specially crafted vibrational loudspeaker units that transform the cars into unique loudspeaker cabinets, enhancing the overall auditory experience.dit.
Only available In Dolby Atmos on Apple music & Tidal.Mons Niklas Schak works Redemption Sound', is a musical memoir that celebrates six classic car brands from the 20th century. These iconic vehicles symbolize the quiet strength of post-war Europe, representing reliability, avant-garde, technology, personal stories, the American dream, and advanced engineering.
Recorded at Man Eat fish ( Copenhagen ) Cristal Baschet Recorded at Structures sonores Baschet ( France ) Mixed in Dolby Atmos at Eidnes Studios Master at Eidnes Studios Cover artwork By Anders Ladegaard . |
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Cars Choir 25-30. juli 2021
Bilkyrkogården, Kyrkö Mosse, Värendsgatan,
Ryd, Sverige.
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Vibrations, cars, nature … A Three-dimensional Sound Art Experience |
A sense of dwelling in lifelong reverberation that is slowly fading out served as inspiration for this acusmatic sound installation. For years, the very particular atmosphere at Bilkyrkogården outside Ryd in Sweden has captivated me. Fundings by Statens Kunstfond, Denmark made Cars Choir possible. The installation consists of 10 specially designed vibrational loudspeaker units which serve to convert the cars into loudspeaker cabinets.
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The installation consists of 10 specially designed vibrational loudspeaker units which serve to convert the cars into loudspeaker cabinets. Vibrational sounds composed for the installation recorded on cello, organ, vocal, baschet, piano, tuning forks and metaldrum was played on location and resonate through the cabinets of the cars.
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Commissioned by the Danish Arts Foundation for the 58th Venice Biennale, Monument for Lost Time takes a psychological object from In Vitro's fiction and converts it to a physically imposing fact. The sphere is painted in Black 2.0, a shade so black that no light is reflected. This turns the sphere into an optical illusion, rendering it virtually absent, yet at the same time intimidatingly present and overwhelming, as an embodiment of inherited trauma.
The floors are concrete, with interspersed tiles manufactured by a Anan Tiles in Nablus, creating an architectural intervention. The walls are light grey, and a soundscape based on low frequency vibrations plays as a backdrop.
Monument for Lost Time, Larissa Sansour/Søren Lind, 2019
Music and sound :Mons Niklas Schak
Photos: Ugo Carmeni
The floors are concrete, with interspersed tiles manufactured by a Anan Tiles in Nablus, creating an architectural intervention. The walls are light grey, and a soundscape based on low frequency vibrations plays as a backdrop.
Monument for Lost Time, Larissa Sansour/Søren Lind, 2019
Music and sound :Mons Niklas Schak
Photos: Ugo Carmeni
Commissioned by the Danish Arts Foundation for the 58th Venice Biennale, In Vitro, is a 2-channel Arabic-language sci-fi film filmed in black and white. It is set in the aftermath of an eco-disaster. An abandoned nuclear reactor under the biblical town of Bethlehem has been converted into an enormous orchard. Using heirloom seeds collected in the final days before the apocalypse, a group of scientists are preparing to replant the soil above.
In Vitro, 2-channel film, 28’, Larissa Sansour/Søren Lind, 2019
In Vitro, 2-channel film, 28’, Larissa Sansour/Søren Lind, 2019
Room tone
running and new beginnings
Where the river runs out
Nordhavn Una Corda
From a fish´s POV
