Composer Mons Niklas Schak

Mons Niklas Schak works with the concept of hyper-realistic sound experiences in unique spaces and environments. His latest release, 'Redemption Sound', is a musical memoir that celebrates six classic car brands from the 20th century. These iconic vehicles symbolize the quiet strength of post-war Europe, representing reliability, avant-garde, technology, personal stories, the American dream, and advanced engineering.

Vocal Randi Pontoppidan
Augusta Schak

Cello Peet Morrison
Bjarke Falgren
Mons Niklas Schak

Bratsch, 1 St Violin, 2ND Violin
Bjarke Falgren

Piano, Dobro Guitar. Organ
Mons Niklas Schak

Cristal Baschet
Nicolas Becker
Mons Niklas Schak

Field recordings
Mons Niklas Schak

Recorded at Man Eat fish
( Copenhagen )
Cristal Baschet Recorded at Structures sonores Baschet ( France )
Mixed in Dolby Atmos at Eidnes Studios
Master at Eidnes Studios
Cover artwork By Anders Ladegaard .

'Redemption Sound' is my latest project, which concentrates on providing hyper-realistic sound experiences in distinct environments. In the track "Cadillac Eldorado 56" from the ‘Redemption sound listeners are treated to a musical reimagining of the “Cadillac Eldorado 56”.

This installation features 10 specially crafted vibrational loudspeaker units that transform the cars into unique loudspeaker cabinets, enhancing the overall auditory experience.dit.

Baschet sounds Theme on the film In Vitro Composed 2019

2014 Recollective was released in on http://www.audiobulb.com
I made the album using the alias “Man Eats Fish”. It is characterized by concrete sounds with presence, combined with abstract electronic texture and newly written and recorded music for string quartets. ‘Lost memories’ are the main theme on Recollective.

This release sounds more like a cohesive unit than a collection of track and, even if it's truly impressive, it's a release that acts as a quiet soundscape of everyday activities. A nice release. - Chain D.L.K.

The film was nominated for the Grand Jury Prize at the 2012 Sundance Film Festival.

Faced with the delicate balancing act of underscoring extremely serious subject matter in an absurdist context, longtime composing partners Niklas Schak and Tin Soheili – veterans of Danish television documentaries – take an abstract, almost experimental approach, deploying simple, often brief cues that rely more on ambient harmonies than traditional themes and variations. Piano, strings, percussion all braided delicately into cues that suggest uncertainty, instability and, at inopportune times, danger. The lone noteworthy exception: “The Match Works,” a playful homage to traditional Greek Bouzouki music deployed here for the sake of pointed irony.

-(source- scorerevolution)

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​Sepideh soundtrack winner of Best Soundtrack at Costa Rica Festival Internacional de Cine 2014.

Sepideh soundtrack winner of Best Soundtrack at Costa Rica Festival Internacional de Cine 2014.